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Juin 1940. Villeneuve, village du meijubar.net centre de la France, est bouleversé par l'arrivée de l'armée allemande. Hortense, Jean, Raymond, Marie étaient alors des Françaises et des Français ordinaires... ils deviendront patriotes, traîtres, collaborateurs ou résistants. Aux règles imposées par l'occupation allemande répondent celles de la désobeissance civile ou de la clan...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。黃瑞杰，一個家庭美滿且事業有成的人生勝利組，突然遭逢巨變，不僅慘被公司逼退，身體病變更使他無預警倒下！歷經兩間醫院接力急救，雖然暫時撿回一命，卻僅能仰賴葉克膜苟延殘喘，並苦等那機率低於百萬分之一的心臟移植…正當已感餘生無望，一顆配對成功的心臟奇蹟出現，瑞杰幸運地成為了器捐受贈者。然而一場巨變之後，家人與親友的關係漸漸發生變化，尤其身心復健的痛苦過程中，瑞杰近乎於沮喪絕望，自我存在價值的強烈質疑，無一不擊潰他術後脆弱的心靈。人人都說他幸運，可是…他真的「幸運」嗎？瑞杰要怎麼克服身體的限制，誠實修復這第二人生？他又該如何走出谷底？迎向這一場人生的「額外旅程」。。